刘㔻 LiuPi

Project Introduce/项目介绍

“署名”行为通常是画家对于绘画所做的结束式符号宣言。

但 “署名”也可以成为一个宣告“绘画化”的开始。虽拟态绘画的范式但其形成过程却又不同于“绘画”，隐于其表面偶然性痕迹的背后又是什么？

该系列作品以实地所触及的城市空间为角度，对人们日常生活行为在公共场所内留下的各类涂抹痕迹进行“署名”，并再以摄影的方式认领出所圈定的范围作为自身的绘画作品。

同时以1 : 1 的尺寸进行收藏级输出并统一的呈现于美术馆的展览中。

The act of “signature” is usually a concluding symbolic declaration made by the painter for the painting.

But ‘signature’ can also be a declaration of the beginning of ‘painting’. Although the paradigm of mimetic painting, its formation process is different from “painting”. What is hidden behind the traces of randomness on its surface?

This series of art works takes the urban space touched on the ground as the perspective, and “signs” various smearing marks left by people’s daily life behaviors in public places, and then uses photography to claim the delineated area as their own painting works.

At the same time, the collection level output is presented uniformly in the exhibition of the art museum in a 1:1 size.